Grazing the Internets this weekend is to follow intimate, overheard snippets in the shaping of a legacy. So I compile what the people are saying in a downright tsunami of link love, the hours well spent.
Studs Terkel 1912-2008
“The thing that horrifies me is the forgetfulness.”
A cigar and martini man, white-haired and elegantly rumpled in his trademark red-checkered shirts, an old rebel who never mellowed, never retired, never forgot, and “never met a picket line or petition I didn’t like.”
“It was those loners — argumentative ones, deceptively quiet ones, the talkers and the walkers — who, always engaged in something outside themselves, unintentionally became my mentors,” Terkel wrote in “Touch and Go.”
He chronicled the lives of almost everyone who mattered–the hundreds include Martin Luther King, Bob Dylan, Woody Allen, Toni Morrison. Just as important, he chronicled the lives of those who officially didn’t matter, and in doing so made us understand they did.
Terkel’s politics were liberal, vintage FDR. He would never forget the many New Deal programs from the Great Depression and worried that the country suffered from “a national Alzheimer’s disease” that made government the perceived enemy.
It would be wrong to say Terkel was colorblind…he was deeply curious, deeply intrigued with all colors of the rainbow…not afraid of other cultures…the only white writer to be inducted into the International Literary Hall of Fame for Writers of African Descent at Chicago State University… The approval vote was unanimous.
Studs developed self-deprecatory clowning to a high art–getting into pitched battles with recording equipment, for instance — as a tactic for putting anxious interview subjects at ease. Authors on his show were almost invariably impressed by how he would enter the studio with their books scored with his scrawled notations as if he were preparing a term paper.
“It isn’t an inquisition; it’s an exploration, usually an exploration into the past,” he once said, explaining his approach. “So I think the gentlest question is the best one, and the gentlest is, ‘And what happened then?’”
“He liked to tell the story of an interview with a woman in a public housing unit in Chicago. At the end of the interview, the woman said, ‘My goodness, I didn’t know I felt that way.’ That was his genius.”
Politics was never a game for Studs. It was the work of a lifetime. He wrote brilliant books about the lives of working people not merely because their stories were fascinating but because he wanted to get a conversation started about class in America.
“She was really something,” Studs recalled, “with that gardenia in her hair.” Holiday once sang Willow Weep for Me for Terkel and nine other people. “We weren’t weeping for her, we were weeping for ourselves,” he later said, “That’s an artist.”
There was the time he was robbed in his house. The thief said “GIVE ME ALL YOUR MONEY” so Studs gave him all his money from his pocket. The thief turned to go and Studs said “Wait a minute! Now I’m broke! Give me twenty bucks!” The thief smiled and peeled off a twenty, then left. Classic.
People call Terkel’s business “oral history”, but it is more like the weaving of a fabulous verbal tapestry, the threads of which are human preoccupations. It is the rich art of taking the vernacular, and making it eternal. Such a process does not merely record the details that keep people’s minds busy, it gives them value. Terkel harvested not only the most complete American history of this century, but the most compassionate.
“My epitaph? My epitaph will be, ‘Curiosity did not kill this cat,'” he said. He then said that he wanted his and Ida’s ashes to be scattered in Bughouse Square, that patch of green park that so informed his first years in his adopted city.